Thomas Edison once decreed, “There’s a way to do it better – find it.” True to this sentiment, when the founders of fashion brand Incu, Brian and Vincent Wu, were looking to integrate their head office and warehousing into one location, a long skinny site that was once home to a mechanic’s workshop in Sydney’s Rosebery stood out to them as a place where just such an opportunity seemed possible.
The brothers called upon their longstanding collaborator Kelvin Ho of Akin Atelier, who they had worked with for a number of years in developing Incu’s physical retail identity across a number of sites in Australia. To create Incu HQ, Ho and his team identified a key opportunity that the long narrow site presented – access from two ends, freeing the program up to keep the logistics of warehousing set at one end, enabling the other end to have a friendly street presence.
Despite a series of new retail and hospitality interventions taking place in the area, the majority of the existing surrounding industrial and commercial buildings lacked any meaningful exchange with the adjacent streets. The designers saw an opportunity to improve this situation, capitalizing on this urban arrangement with a new monochrome brick building form that is carved and shifted to create four distinct openings to simult-aneously address the street and serve the building within. Two doorways, the primary one being the entrance to the outlet store, are carved out of the red clay-coloured facade. Two larger openings flank the outlet door – one a large shopfront window, the other a gentle ramp that leads up to a stairway and lift foyer that is the entry to Incu HQ.
Typically an outlet store is rudimentary and somewhat generic in its fitout – raw concrete floors, bare walls, practical racks and shelving and exposed services are par for the course. In this instance, with the creation of a street presence, Incu and Akin Atelier sought to connect the outlet fitout with a “detuned” version of the language developed for their other stores – an “understated palette of raw materials in neutral tones.” Services are still exposed and the floor is concrete; however, the polished slab and the ceiling are painted white to present a cohesive palette that allows the timber joinery, the curved brick serving counter, and most importantly the clothing itself to be drawn to the foreground. These moves gently lift the outlet into a realm more attuned to high street than factory store.
That same palette of materials is cast across the HQ spaces. The soft earthshell brick slips utilized on the outlet store counter are reimagined as an external carpet to lead visitors from the street to the HQ front door. The stairwell, housed in a rendered masonry volume, features a curved corner that hovers out and over the front door.
Up above, the spaces of Incu HQ are bound together by a white circulation spine off which meeting spaces, brick-lined courtyards and offices are set. At one end of the spine, the open plan main office area nestles in, borrowing light from the open courtyard. At the other end, the circulation spine breaks out into an informal kitchen lounge, where a long kitchen table holds the centre of the room while an oak-lined kitchen skirts the edge and morphs into a breakout banquette seat.
The kitchen lounge, spine and main meeting room all open out to a brick sky terrace that sits above the street. The height of the brick balustrade screens out the street below while borrowing the flouncy brick parapet shapes of the old factory building across the road into its own composition.
Akin Atelier’s goal to create cohesion between stores has successfully been extended to include Incu’s entire operation. In doing so Incu has found a “better way” of working by combining outlet, warehousing and HQ into one entity with a public presence that enables them to operate more flexibly and efficiently. By investing in a meaningful working environment for its team, Incu has enabled its staff to work collaboratively, effectively and creatively together into the foreseeable future – something that is all the more important given the uncertain times we currently face.
Products and materials
- Walls
- Austral Bricks Embassy Red dry press red bricks for external walls. Dulux Acratex – Tuscany Coarse external render in custom colour. Plasterboard internal walls painted in Dulux Wash & Wear ‘Vivid White.’ Stairwell painted in Porters Stone Paint Finish in custom colour. Corridor wall rendered in Dulux Acratex Tuscany Fine in ‘Vivid White.’ Store walls in Porters Paint Eggshell Acrylic in custom colour.
- Windows and doors
- Office windows are blackbutt sealed with ultra-clear satin sealer. Store windows are aluminium powdercoated in Dulux Surreal Effects in ‘Mannex Black.’
- Flooring
- Polished concrete flooring.
- Lighting
- About Space 2BY4 Round Custom Linear LED pendant and Ambience Lighting Axis Medium in kitchen. Ambience Lighting Pure 3 Direct light in meeting rooms. Erco Lighting Trian wall-mounted luminaries and Euroluce Flos Soft Architecture square light in office entry stair. Euroluce Flos Climber Down, ‘Black’ in ground floor entry. Urban Lighting Tivah Adjustable Floor Light in courtyard. Ambience Lighting Top Kat track spot in store.
- Furniture
- Henry Wilson A-Joint desks, Thonet GmbH S 34 Pure Materials in buffalo hide and Artek Atelier chairs in director’s office. Henry Wilson A-Joint table, Cult Design Hay AAC17 chairs in meeting room. Custom desks and cabinetry in main office. Cult Design Hay Palisade table, bench and chairs. Anibou Artek 82A Dining Table, Thonet 118 chair and custom banquette seating in kitchen. Henry Wilson A-Joint bench seat in store.
Credits
- Project
- Incu HQ and Outlet by Akin Atelier
- Design practice
-
Akin Atelier
- Project Team
- Kelvin Ho, Georgia McGowan, James Masman, Amayah Harvey, Sasha Tatham
- Consultants
-
Builder
Mammoth
Engineer SDA Structures
Project manager Mammoth
- Aboriginal Nation
- Built on the land of the Gadigal people of the Eora nation.
- Site Details
-
Location
Sydney,
NSW,
Australia
Site type Suburban
- Project Details
-
Status
Built
Completion date 2020
Design, documentation 6 months
Construction 12 months
Category Commercial, Interiors
Type Retail, Workplace
Source
Project
Published online: 2 Jun 2021
Words:
David Welsh
Images:
Terence Chin
Issue
Artichoke, December 2020